Gothamist

A non-profit newsroom, powered by WNYC.

Gothamist

WNYC Listen Live

Donate

 

 

Arts & Entertainment

Spider-Man Leading Lady "Freaked Out" After Accident


By

John Del Signore

Published Dec 29, 2010

Modified Dec 29, 2010


Share

FacebookTwitterRedditEmail


Never miss a story

 Email address

By submitting your information, you're agreeing to receive communications from New York Public Radio in accordance with our Terms .

Sources say Natalie Mendoza will get a "substantial exit package."

 


By

John Del Signore

Published Dec 29, 2010

Modified Dec 29, 2010


Share

FacebookTwitterRedditEmail


We rely on your support to make local news available to all

Make your contribution now and help Gothamist thrive in 2026. Donate today

Gothamist is funded by sponsors and member donations

Producers of the battle-scarred Broadway mega-musicalSpiderman: Turn Off the Dark have yet to issue an official statement, but sources confirm that leading lady Natalie Mendoza will be leaving the production. Insiders tell the Post that Mendoza, who suffered a debilitating concussion when she was hit by a rope during the show's first performance, will be released from her contract with a "substantial" exit package. And other actors may follow in her footsteps and get out before they're carried out.

"In the past week, agents have been making inquiries about getting their actors out of the production," a source tells the Post. Mendoza has not performed in the show since the night lead aerialist Christopher Tierney fell nearly 30 feet into an orchestra pit, breaking ribs, injuring vertebrae, and suffering internal bleeding. (After back surgery, he's back on his feet and hopes to return to the show.) Producers says Mendoza left the show a second time because she needed vocal rest, but insiders say she was "freaked out" by Tierney's accident, and is too shaken to return to the role. (Here's a funny annotated Playbill detailing the production's mishaps.)

Meanwhile, the Post's Michael Riedel—who's been Spider-Man's arch-nemesis all along—suspects that he was targeted by ushers at the Foxwoods Theater because of all his rumormongering about the show. Riedel attended the same night we did, but when he made his way to his seat in the orchestra section, a security guard approached and said, "You can't sit here, sir," he said. After Riedel protested, a manager explained, "I have another seat for you, sir, but I must move you for safety reasons."

I took out my notebook, identified myself as a reporter and asked why my seat in row D—D for death, I guess—wasn't safe. The color drained from the manager's face and, after conferring with the security guard, he said: "Sir, this seat has been sold twice. I have another seat for you, and I will give you a full refund." Things were getting fishier by the minute, but I wasn't going to move.

"Sir, we cannot start the show until you move," the manager said. "If you do not, I will have to call the police."... As the manager escorted me to the balcony, I said, "Look, are you banishing me to the balcony because I'm Michael Riedel of the New York Post?"

"I did not know who you were, sir, until you told me," he said.

Spider-Man's publicist insists the producers weren't aware of Riedel's presence, though when they heard he was relocated to a terrible seat "in the rafters," they laughed. But they won't be laughing when Riedel eviscerates them on his late-night TV show Theater Talk—in front of an audience of dozens!

Tagged

michael riedel

natalie mendoza

ny post

spider man musical

spider man turn off the dark

theater


John Del Signore

Twitter

Originally from the Albany area, John Del Signore has called NYC home since 1995. In addition to his thousands of meticulously-crafted bespoke blog posts for Gothamist, his writing has also been published in The Awl, Deadspin, The Nervous Breakdown, and performed at The Brick Theater in Brooklyn.

Read more

Gothamist is funded by sponsors and member donations


Gothamist is funded by sponsors and member donations


MORE arts-entertainment

Why LCD Soundsystem's 'New York, I Love You' is still the city's most honest anthem

The song continues to resonate 20 years after its release, even showing up in movies and TV to convey people’s mixed feelings toward the city.

By

Sonia Rao

Published Oct 30, 2026


Would you live on a Halloween block? These Hackensackers live for it.

A guillotine, killer clowns, clownfish: They've got it all on Clinton Place.

By

James Ramsay

Arts & Entertainment

Would you live on a Halloween block? These Hackensackers live for it.

A guillotine, killer clowns, clownfish: They've got it all on Clinton Place.

By

James Ramsay


Owl pellets and period equity: What's happening at NYC's public libraries this November

By

Alec Hamilton

How the Village Halloween Parade keeps its soul

By

Hannah Frishberg

'You Can See Everything' … as long as you go to Staten Island

By

Sonia Rao


Never miss a story

Catch up on the most important headlines with a roundup of essential NYC stories, delivered to your inbox daily.

Sign upEmail address

By submitting your information, you're agreeing to receive communications from New York Public Radio in accordance with our Terms .