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Arts & Entertainment

Opinionist: Top Ten in Theater 2009


By

John Del Signore

Published Dec 27, 2009

Modified Dec 27, 2009


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Zachary Oberzan and the Nature Theater of Oklahoma's inspired Rambo Solo consisted entirely of his retelling of First Blood, the 1972 novel that inspired the Sylvester Stallone film. Read our review here.

 

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By

John Del Signore

Published Dec 27, 2009

Modified Dec 27, 2009


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Click on the photos for Gothamist's top ten favorite theatrical productions of 2009. Last year, of course, we couldn't stop talking about Passing Strange, but this year's highly subjective list is notably devoid of musicals. (Unfortunately, we haven't seen Fela!) Two of these ten were unforgettable, site-specific odysseys—one on a bus through the Bronx, the other on a boat that went nowhere. Just two happened on Broadway—one with A-list stars, the other with brilliant yet relatively unknown downtown actors. (Both narrowly edged out the excellent revival of Waiting for Godot starring John Goodman, Nathan Lane and Bill Irwin.)

One was an astonishing, hilarious homage to the potential of Rube Goldberg, another a staple of high school drama clubs brought forcefully back from the dead. Two out of ten were idiosyncratic explorations of memory and storytelling, from New York's hottest theater company named after a western state. Another looked to the past to recreate a popular lecture circuit that flourished across America from 1874 to the Great Depression. And one was a genre-defying examination of how African Americans are perceived and portrayed in mass media, from an Asian American playwright hoping to create "slightly enhanced paranoia" in white audience members. She succeeded, and for her next project, that old white dude King Lear is in the cross hairs.

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2009

broadway

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off-broadway

plays

review

theater

top ten


John Del Signore

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Originally from the Albany area, John Del Signore has called NYC home since 1995. In addition to his thousands of meticulously-crafted bespoke blog posts for Gothamist, his writing has also been published in The Awl, Deadspin, The Nervous Breakdown, and performed at The Brick Theater in Brooklyn.

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